Fred Herzog has been on my list of artists to feature here since I started Focus a year ago.

Peter Funch is a Danish photographer and director living in Paris.

Harley Weir’s arresting work resists easy categorization.

Sergiy Barchuk's still life compositions celebrate exactitude and stillness.

I met Justin Leveritt standing in line outside the David Zwirner Gallery ten years ago.

Greg Tango is a New York cinematographer and director whose communication is as precise as his lensing.

London-based photographer Keerthana Kunnath’s series of female bodybuilders in South India, Not What You Saw, defies India’s conventional standards of feminine beauty.

Silvana Trevale moves between genres and locales with ease.

Talia Herman recently added me to her mailing list, and I was struck by her new, as-yet-unpublished series With Daughters: Rewilding in the American West.

Joel Meyerowitz has been photographing New York streets since 1962, becoming a pioneer of color photography and mentor to many.

Gus Powell is a born and bred New Yorker whose street photography demonstrates a brilliant eye for composition, color and the everyday.

Daniel Arnold captures the absurdity of everyday life in New York with split-second recognition of the strange, funny and improbable.

Vincent Tullo's portraits demonstrate deep curiosity, a keen eye, and an ability to adapt when circumstances shift.

James Brittain is a Montreal-based architectural photographer influenced by the Düsseldorf School. His images invite stillness.

William Eggleston's The Last Dyes features new dye-transfer prints at David Zwirner's 19th Street location through March 7.

Kalpesh Lathigra: “I am trying to be quiet in myself in the hope that the audience can ask questions themselves.”

Jessica Antola inherited her love of travel from her mother, who is also a frequent subject of Antola’s work.

Wim Wenders’ documentary film Tokyo-Ga is much more than a tender love letter to the Japanese director Yasujiro Ozu.

Celeste Sloman is a New York–born photographer and director whose work spans portraits of cultural figures, public personalities, and activists.

For Luigi Ghirri, photography was “a language for seeing and not for transforming, hiding, or modifying reality.”